My name is Fia, i'm from Slovenia and i'm interested in Architecture,Design, Conceptual Art , Minimalism...
janvaneyck:

In (.) Imogen Stidworthy considers the borders of language. Approaching the voice as sculptural material, she questions how we are positioned through our voices, and how we use them to locate ourselves physically and culturally. (.) is developed in close dialogue with designer Jack Henrie Fisher and interweaves images and text related to Stidworthy’s artistic research, with contributions by eight artists and writers. The sign (.) is used by transcribers to indicate a pause in speech of less than half a second. In (.) it doubles as a sign for the tension with which the book works, between transparency and opacity, in the face of linguistic and cultural difference, and conditions such as aphasia and post-traumatic stress syndrome. (.) includes essays on the inner voice, the seductive voice, accents, dubbing and the ghosting of language.  
With contributions by Caroline Bergvall, Steven Connor, Mladen Dolar, Werner Feiersinger, Aglaia Konrad, Alphonso Lingis, Willem Oorebeek and Mikhail Yampolsky.
Specifications2012 - English - 256 pp. - 24 x 17 cm - softcover - 70 colour images, Edition: 1000, Editing: Imogen Stidworthy and Jack Henrie Fisher, Design: Jack Henrie Fisher, Proofreading: Petra van der Jeught, Production and lithography: Jo Frenken, Printing: Die Keure, Brugge (BE). 
Published by Jan van Eyck Academie and Matt’s Gallery, London (UK)
ISBN: 978-0-907623-77-9
€ 21,80 

janvaneyck:

In (.) Imogen Stidworthy considers the borders of language. Approaching the voice as sculptural material, she questions how we are positioned through our voices, and how we use them to locate ourselves physically and culturally. (.) is developed in close dialogue with designer Jack Henrie Fisher and interweaves images and text related to Stidworthy’s artistic research, with contributions by eight artists and writers. The sign (.) is used by transcribers to indicate a pause in speech of less than half a second. In (.) it doubles as a sign for the tension with which the book works, between transparency and opacity, in the face of linguistic and cultural difference, and conditions such as aphasia and post-traumatic stress syndrome. (.) includes essays on the inner voice, the seductive voice, accents, dubbing and the ghosting of language.  

With contributions by Caroline Bergvall, Steven Connor, Mladen Dolar, Werner Feiersinger, Aglaia Konrad, Alphonso Lingis, Willem Oorebeek and Mikhail Yampolsky.

Specifications
2012 - English - 256 pp. - 24 x 17 cm - softcover - 70 colour images, Edition: 1000, Editing: Imogen Stidworthy and Jack Henrie Fisher, Design: Jack Henrie Fisher, Proofreading: Petra van der Jeught, Production and lithography: Jo Frenken, Printing: Die Keure, Brugge (BE). 

Published by Jan van Eyck Academie and Matt’s Gallery, London (UK)

ISBN: 978-0-907623-77-9

€ 21,80 

(via andren)

Posted: 10 months ago Notes: 32
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